"Ooh La La", the Faces' fourth and last studio LP, was released in March 1973 by Warner Bros Records. Produced by the band and Glyn Johns, it was released in a time when lead singer Rod Stewart's solo career was starting to get more and more popular, and as a result, it ended up charting as high as #1, despite not being that critically well received. The recording sessions for the album, which spanned from late 1972 to January of the following year, were fraught with tension and infighting between band members, with Johns having to mediate and help ease the mood in the studio. Stewart's growing disinterest with the band, due to his newfound solo popularity, was one of the main reasons things had escalated between them, with members Lane, McLagan, and Jones being tired of staying behind the vocalist's shadow, being seen merely as his backing group. Stewart's absence was such that he only sang in half of Ooh La La's songs, with the rest of the record being populated with instrumentals and Ronnie Lane originals. Stewart, obviously, was not pleased with the results, and spoke his mind about the album in a Melody Maker interview. Between many other things, he called it half-baked and said he wasn't really proud of the album, citing the long time they took to make it as detrimental as well.
Mystifies Me (I've Got My Own Album to Do)
Take a Look at the Guy (I've Got My Own Album to Do)
Gettin' Hungry (Five Guys Walk into a Bar...)
Rock Me (Five Guys Walk into a Bar...)
Dixie Toot (Smiler)
As Long as You Tell Him (Five Guys Walk into a Bar...)
Sweet Little Rock n' Roller (Smiler)
Open to Ideas (Five Guys Walk into a Bar...)
Hi Heel Sneakers/Somebody to Love (Five Guys Walk into a Bar...)
|McLagan, Stewart, Wood, Jones, and Yamauchi in early 1974|
Track no. 4 is then again sourced from Woody's first solo release. "Take a Look at the Guy", with co-lead vocals by Rod Stewart and some fiery electric piano playing by McLagan. Written by RW, this song was a mainstay of the band's setlist from 1974 onwards as well, with them stretching the song by a couple of minutes with extended solos and jamming. Finishing up things in side one is "Gettin' Hungry", a Beach Boys song from "Smiley Smile", of all things. A very bluesy tune, it was recorded during the final 1975 sessions, and is one of the more interesting songs from that period, with a slow, organ-driven intro and some great vocals by Rod the Mod. Side two's opener is the appropriately titled "Rock Me", written by Wood, Stewart, and McLagan. Almost an archetype for the regular Faces tune, it was recorded during their January 1975 sessions as well, with lead vocals by Rod. Speaking of him, his "Dixie Toot" is the seventh song in here, being one of the best songs on the album. Featuring Jones and Wood alongside himself, as well as some carnival-like brass playing, courtesy of Chris Barber's Jazz Band. It speaks of searching for a good time, something I think is pretty appropriate for a Wood/Stewart song on a Faces album, so it stays here.
Up next is "As Long as You Tell Him", the b-side to "You Can Make Me Dance, Sing or Anything". A great, slow ballad, it was once more written by Stewart and Wood, dealing with a messy breakup, with some great playing by the whole band. Then again, it became a mainstay of their setlists after its release, so it deserves a spot in here. As track nine, we have the Chuck Berry cover of "Sweet Little Rock n' Roller", from Rod's "Smiler", with McLagan and Jones playing alongside him. Finishing things up for the Faces' fifth is its title track, "Open to Ideas". Yet another ballad, it was written by Ian McLagan with aid from Rod and Woody, and was first featured in a compilation album in 1999. One of the superior songs from the record, it more than earns its place as closer and title track. As an addendum, we have a medley of two Rn'B covers: "Hi Heel Sneakers", by Tommy Tucker, and "Everybody Needs Somebody to Love", by Solomon Burke. It shows them in a pretty laid-back way, being of a live-in-the-studio fashion, making the whole thing pretty great, as well as making for a fantastic listen. It didn't feature in the album both due to the lack of space and due to it not being of the same quality as the others. Good enough for a bonus track.
As an album, "Open to Ideas" is a pretty good mid-1970s rock and roll record, with some great songs and performances in general. However, one cannot underestimate the damage Ronnie Lane's absence caused, both within the group and musically. Lost were his incredible songwriting chops and the variety he brought to them with his acoustic numbers, as was their interest in going further with the band, which was what doomed it from the start. It pales in comparison to what the band could do at their peak, but as a companion to "Ooh La La", it is more than fitting, and they sound pretty good alongside each other. Clocking in at 41 minutes with a longer side two, its most probable second single would be its title track, and using our bonus track as the b-side would be a nice way to use everything they recorded. It's a shame how a band of such potential and capabilities as the Faces ended up with such a short career together. In their heyday, they managed to challenge the Rolling Stones for the crown of the greatest rock n' roll band in the world, all that while playing some of the most energetic live gigs of the time. This unreleased album is a great glimpse of their final days, before they ended up either joining their competitors or crossing the Atlantic.
- The Faces - Five Guys Walk into a Bar...
- Rod Stewart - Smiler
- Ron Wood - I've Got My Own Album to Do